An Español gets transported to King Arthur's court.

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A short documentary directed by Jesus Franco.

In 1971, the graphic and advertising artist Juan Fresán set out to film the story of Orélie Antoine de Tounens, the delirious Frenchman who 100 years earlier had proclaimed himself ‘King of Patagonia and Araucanía’, with his own constitution, currency and ministers. The film, titled "New France," was left unfinished, first due to lack of funds and then because its author had to go into exile. If the story is familiar to many today, this is because in the '80s Carlos Sorín made' The King's movie ', inspired by that frustrated shoot, in which he had worked as a cinematographer. In 2004, Fresán contacted Turturro to help him rescue the preserved film. Fresán died in that same year, but Turturro decided to retake the trace of that truncated film, exhuming unpublished materials, returning to their original settings and gathering testimonies, to illuminate the two stories - one within the other - that make up this true story, more strange and fascinating than any fiction.

A comedy series about a wacky courthouse and Jose Candelario Trespatines, a chatty regular at the court of a honorable judge who keeps sending him back to jail (but somehow he keeps getting out and back to being a con-artist.) This defendant has been accused multiple times by the same gullible people; no matter what occupation he chooses they fall every time. The judge is bipolar: patiently he gives everyone a turn to speak and expose what happened, but he is also easily offended and fines people at every chance. Trespatines always claims acting in good faith and blames his fraud or theft on double entendres. But the judge knows him too well.

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Based on a true story and the book, At the Devil's Table: The Untold Story of the Insider Who Brought Down the Cali Cartel by award-winning investigative reporter William C. Rempel, En la Boca del Lobo follows the series of events that ultimately lead to the dramatic downfall of Colombia’s infamous Cali drug cartel. The story centers on Ricardo Salgado, an engineer and soldier who rises ranks and became in charge of the security of the godfather of the Cali Cartel, one of the largest criminal organizations in the world and rival of the Medellin Cartel.

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Owners of two small farms try to move forward in life by wholesaling their own produce instead of relying on dishonest brokerages. When that doesn't work, they hatch a kidnapping scheme, and the movie shifts its focus to the rich people who have been profiting off their poverty.